Tonic Masculinity : Part 2

Otherwise our attention feeds a very sick system

SUMMARY OF PART ONE

In Part 1, I talked about the term and concept of tonic masculinity with regard to eons of psychopathic programming designed to destabilize Natural Law, which is the basis of "right" and "wrong" in our world. That calculated and occulted subversion has resulted in ancestral trauma, which is difficult to notice on a day-to-day basis, let alone a decade-to-decade or even millennial basis, because the ones doing the destabilizing move very, very, very slowly in order to make their subversion appear like "progress" and "evolution."

I discussed my musical theory of tonic masculinity as being about Divine sound frequency and vibration, and how it resonates with Natural Law. There is no gray area between a "right" tone/thought/action and a "wrong" tone/thought/action. Distinctions are hard and fast, and of the utmost importance, in my comprehension.

I explained how the coopted, more technologically advanced institutions and agencies slowly pushed the destabilizing agenda, starting NOT with men, but with women — because it is women, mainly mothers, who nurture our boys during their formative years, from birth to seven years old. With many fathers leaving their farms, family businesses, and homes with family-sustaining gardens to work in factories, larger business offices, and academic institutions, women were left with their boys and all that amazing, explosive masculine energy, but few women really knew how to discuss manhood because they do not embody it! And, in my analysis, they never should have been placed ALONE in this strange scenario. This goes to my notion that males have a duty to protect females and children.

And so, women were slowly targeted with Lilith programming, a dark machine-mind entity aligned with leading us astray from what is obviously "right" so that we could "feel good" (despite most of those feel-good experiences ending badly).

I further explained how exotic EMFs were deployed as weapons upon all living beings in order to alter our Divine mind/body/spirit complex for the benefit of the wayward wizards because they are in service of the machine-mind, not of Divine Creation.

I also learned quite recently that — despite a lot of men being put into the spotlight to discuss the notion of "tonic masculinity" — the term was actually coined by a woman, Tereza Corraggio of Third Paradigm. While I beg to differ on some of Tereza’s positions, I really like her definition of tonic masculinity as "a world that puts children at the center, surrounded by women, who are surrounded by men. Tonic masculinity." So, let’s give credit where credit is due because it’s a useful term, and one that obviously sparked my musical imagination enough to share my perceptions and perspectives on it!

In Part 2, I will offer more specifics as I have perceived, analyzed, and evaluated them throughout my research. My current interpretations may shock many of you. And yet, my mission with this Substack is to 1) present and unpack the Truth as I perceive it, 2) offer key terms and/or links, and 3) encourage you to do your own research and form your own perceptions. I am fine with agreeing to disagree, because I’m a creator-being first and foremost; my researching and writing is simply another avenue for voicing what I sense on all levels.

That said, I will begin with the military-industrial-entertainment complex which is designed to demoralize and destabilize us through illusion. It is known as Hollywood, or what I often call Hellyweird. Second warning: This article is not for people who want to stay comfortable in their programming. Just saying. Okay, let’s go.

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PART 2

HOLLYWOOD IS THE MACHINE-MIND FACTORY

Part One: Sound as a Weapon

In addition to the deployment of exotic electromagnetic frequencies or EMFs, music itself — which is organized, pleasing sound created by humans for experiencing joy, celebration, and Divine freedom — was targeted even further to manufacture the machine-mind.

As part of the whole package of "entertainment" — a word which essentially means "to hold the mind" — the wayward wizards have been selecting "artists" to captivate us with works that are both lyrically and musically aimed at certain areas of the brain and body. These seemingly pleasing or otherwise arousing neurolinguistic messages are then played repeatedly via radio and recordings, in movies and tv shows, on the news, in commercials, in grocery stores and medical offices. The repetitive frequencies carve a chemical pathway in the brain; the pathway facilitates even more similar information to follow.

What does this all mean?

"Eras" of music were and still are designed to slowly alter what we accept both as real and as normal. While some of the mainstream music piggy-backs on actual spontaneous creativity, all of it is manufactured with mind-control as its main function.

Yes, it is difficult to realize that the collection of artists we believed to be amazingly talented singers and musicians and songwriters is yet another ruse. I’m not saying that all of these people were un-talented; clearly some were trained in music academies and others had decent abilities. But why were those particular people chosen to represent the musical messages of the day, while other equally talented folks remained unnoticed? My answer is that Hollywood is an industrial machine shop churning out "hits" for its "targets." And it is WE who they target, in order to capture us, mind, body, and spirit. And the weapons for doing the hits are their selected "artists," parading music created to manipulate consciousness.

In the must-read book Weird Scenes Inside the Canyon: Laurel Canyon, Covert Ops & The Dark Heart of the Hippie Dream, author Dave McGowan discusses the freaky phenomenon that every major artist of the 60s/70s hippie era just happened to magically move to a random canyon in Los Angeles where they wrote and recorded the soundtrack to our lives during that time period. (I mean, when you think about that, it does sound impossible, or improbable at best.) The list is extensive, but start by thinking of the biggest names in folk, rock, and pop: Linda Ronstadt, Jackson Brown, Joni Mitchell, Neil Young, the Eagles, and the Beach Boys, to name a few.

Even more eye-opening is that all of them were the children of men and women in agencies like the DOD, the CIA, and the FBI. Their parents were high-ranking military officers, spies, and moguls within the broader military-entertainment-industrial complex. All the stories of these artists "coming from poverty" and "being the lone talent," and "suddenly finding their niche" are made up. These artists all came from a lineage of higher-ups in every field, especially the ones adept in covert operations that were co-mingled with the illusion factories of Hollywood, politics, and the mainstream media.

Here is an excerpt from the the book’s Foreword by Nick Bryant:

Indeed, many of Laurel Canyon’s rock ’n’ roll idols had former incarnations steeped in the world of military/intelligence operations. Jim Morrison, aka “the Lizard King,” was one such example. Mr. Mojo Risin’ didn’t much like to talk about his parents and was even known to tell reporters that his parents were dead. But as it turns out, Lizard King, Sr. was not only alive and well, he just happened to be the commander of the US warships that allegedly came under attack by North Vietnamese torpedo boats in the Gulf of Tonkin, sparking America’s napalm-fueled bloodbath in Vietnam.

Frank Zappa, another major mover and shaker of the Laurel Canyon scene, was certainly the raddest of the rad, so surely he couldn’t have had any connections to the military/intelligence complex… right? Not exactly. According to various accounts collected by [author] McGowan, Zappa was a pro-military autocrat who didn’t really resonate with the counterculture’s peace and love vibe. Like the Lizard King’s dad, Zappa, Sr. was a cog in the intelligence community’s dark machinations; Francis Zappa was a chemical warfare specialist with a top security clearance at Edgewood Arsenal near Baltimore, Maryland. Some readers might recognize Edgewood as the location of ominous mind control experiments conducted by the CIA under the rubric of MK-ULTRA.

Guilt by familial association has the potential to be an ill-fated formula for speculation, but McGowan relates accounts of Laurel Canyon luminaries whose own hands were possibly awash in the blood of the military/intelligence complex. Consider, for example, “Papa” John Phillips, who penned the smash hit San Francisco (Be Sure to Wear Flowers in Your Hair), imploring thousands of runaways to make bacchanal laced pilgrimages to the City by the Bay. The son of a Marine Corps captain, Phillips was among the more prominent fixtures of Laurel Canyon who had a particularly interesting interrelationship with the military machine.

Rock superstar Stephen Stills was the cofounder of two Laurel Canyon dynamos—Buffalo Springfield, and, of course, Crosby, Stills, Nash & Young. Surely then hippie icon Stills couldn’t possibly be enmeshed in the military-intelligence complex? Maybe, maybe not. The progeny of yet another military family, Stills spent chunks of his childhood in El Salvador, Costa Rica, and Panama, where the US has a history of spreading a genocidal form of “democracy.” And McGowan has sifted through accounts of Stills actually confessing to running around the jungles of Vietnam in the early 1960s—anecdotes generally dismissed, as the author notes, as drug-fueled delusions.

Tales of drugs, unbridled debauchery and full-tilt depravity are often populated by ethical eunuchs whose elite deviance yields to particularly malignant appetites, and the people calling Laurel Canyon home were no exception.

Despite the potential discomfort of my readers, I am confident that my research shows a distinct shadowy system underlying every aspect of culture throughout millennia, and our recent social constructs are not exempt. I mean, it has the word "cult" in it, just saying.

When one looks into the Tavistock Institute, for example, what becomes obvious is that its researchers openly offer their experiments as part of an agenda for social engineering — that is, designing systems to control human behavior. This Tavistock agenda involved (and still involves) parenting, education, medicine, the economy, politics, the arts, and everything that can and would be, is still, mediatized. All of it is openly recommended as the best way to prepare humanity for subsequent levels of programming. Here is the link to a fairly thorough introductory article explaining Tavistock, and it even contains an excerpt from McGowan’s book.

So there are many questions for those of us stepping outside the Matrix and questioning what we experience. Is Lady Gaga really writing and performing her own music? And is it actually good for us to listen to? Were the Beatles actually doing their own thing? The Who? The Rolling Stones? How about post-modern groups like Sound Garden, and did Chris Cornell really kill himself? More recently, "artists" like Rhianna and Sam Smith are doing insane Satanic-like rituals in their performances and videos: What’s up with that? Why did Taylor Swift stay in the limelight, but Colby Callait and Kasey Musgraves kind of disappeared?

Far from the idea of a single Alice in Wonderland rabbit hole (and don’t get me started with that!), we are looking at an entire planned system of niche worlds of rabbit holes that have been manufactured behind layers of veils. Again, it is important to distinguish that WE as divine human beings create, but that anything else is mere fabrication, manufacturing, mimicry, and mockery.

But let me get back to the music tangent.

Into the 1960s, 70s and 80s, as industrialized music became more harsh, yet still following some healthful tonal structures, the lyrics focused on heartbreak ("Crazy") and revenge ("These Boots are Made for Walkin’"). Still other songs sexualized encounters between young girls and boys ("He’s So Fine") as well as men ("You’re Sixteen (You’re Beautiful, And You’re Mine)"). By the 70s and 80s the music industry was blithely advocating the Luciferian androgyne agenda with songs like "Lola," and "Dude Looks Like a Lady". These were all signposts along the slow, slow, slow walk of the demoralization of our Divinity.

THE ANALOG TO DIGITAL DRIFT

In the mid-90s, Hollywood began promoting non-analog, digital music. I wrote about this in an article analyzing the cube and the cross:

https://sharine.substack.com/p/analysis-of-two-dark-occult-symbols-the-cube-and-the-cross

Here is a quote:

For example, there are distinct differences between analog audio recordings and digital recordings. Analog recordings transfer the actual physical, moving frequency waves of live sound performances onto physical vinyl discs or magnetic audio tape. Digital recordings transfer the actual physical, moving frequency sound waves (or the pre-recorded analog recordings) into a computer-chip-based binary system of 1s and 0s, which translates to either On or Off. Analog recordings capture the full range of flowing frequencies, whereas as digital recordings capture only a selected range of frequencies which are then translated into modulations of sound-on/sound-off. In this sense, analog recordings are curvilinear, while digital recordings are squared-off and not natural, despite that digital proponents claim to "add back in" the curvilinear aspect, which is entirely untenable due to the selected mitigation of so-called "noise" frequencies. Analog proponents claim that these "noise" frequencies are vital to the beauty of sound and therefore to sound recordings in general.

It doesn’t take a life-long audiophile to hear the distinct difference between analog and digital recordings of the same piece of music. Analog audio is rich in sound because its terrestrial technology allows for capturing the broadest range of frequencies. These flowing frequencies literally resonate with our physical bodies: We feel the music. Digital audio lacks this richness because, in exotic, non-terrestrial, binary technology, the very high, very low, and certain mid-range frequencies get lopped off — relegated to only zeros, and never to be heard or felt. Who decides which digital "noise" frequencies get zeroed-out? And, more importantly, WHY are those frequencies canceled out?

In sum, digital music is "cube music": A deliberate deadening or outright removal of certain frequencies. It is a censorship of information created by real human beings wanting to share their musical message. Who benefits from this sound manipulation?

This drift — more likely a radical shift — occurred not without intention at the same time that rap, hip-hop, and industrial/electronic/metal music was heavily pushed into the mainstream marketing mechanism. There should be no surprise whatsoever that this is a long-term agenda of degeneracy, as with all of their germ theory, endless war, and resource-scarcity plans.

So what does analog vs. digital have to do with masculinity?

The masculine TONE — the root of physical strength, mental agility, and heart-based courage — must be maintained in its fullness, otherwise unnatural tones will fill in the gaps, overpowering unconscious men who refute their innate senses and who refuse to do their spiritual work. Men who deviate from their Divine purpose in life by succumbing to degenerate images, sounds, and other sensations — and the weakening thoughts associated with those impressions — open themselves to aberrant, hollowed-out, entropic forces that manipulate their entire mind/body/spirit complex.

Worse, they are taught, through these same weakening constructs, to make excuses for their addictions. I don’t mean the emotional horror of realizing that one was hoodwinked their entire life. I mean when one offers wholly untenable reasons for being addicted to gambling or porn or drugs, like "I gamble to take the edge off my stressful job," or "I view porn because my wife doesn’t want to have sex as often as I do.” These are harmful responses which have been tone-programmed by the death-cultists who most assuredly stand to benefit by mens’ individual and collective assimilation into the manufactured digital realm, the machine-mind.

The biggest problem occurs when women ascribe to the Lilith programming and demand that their men support them. Of course, babies and children have no choice in the matter. We see women doing this everywhere:

Let me shop online while our babies are watching YouTube videos. Let me spend hours every day on social media while our children are indoctrinated in school. Let me buy supermarket and fast food that is cheap and convenient (and, uh, also unhealthy) so I don’t ever have to be "chained" in the kitchen. Let me spend hard-earned dollars on manicures twice each month, because My Fingernails Matter. Let me get fake boobs because porn. Let me violently force my family to consume and be injected with pharmaceuticals so I don’t have *waste my time* researching any of it. And let me allow our children to choose their gender; they know best who they are.

Let me (haha, pun definitely unintended but hilarious) put it this way: Most of us feel at a soul level that music and the human voice are vitally important for us. This truth about sound then becomes an obvious target for the degenerate psychopaths. They have been messing with natural audio vibrations for millennia; it’s just that when exotic technology came into the studio and onto the stage (and then projected through the black-screen boxes), we saw an exponential increase in opportunities for trauma-based mind control of human beings. And that is precisely what has happened in the Analog to Digital Drift.

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Part 2: Weaponized Sound as the Pre-Cursor to Weaponized Religion

TRANSGENDERISM & TRANSHUMANISM: HIDDEN AND REVEALED

The basis of the digital system is 0 and 1: "0" being female and "1" being male. These equate to physical world structures of the circle and the obelisk, or the circle and the triangle, which are death-cultist symbols that, when used together, offer a religious vision of the Cosmic Androgyne: The two become one.

This is an excellent analysis of the circle (female) and triangle (male) symbolism, and the vlogger goes into even more uses of these symbols. (Note that I do not align with his specific religious fervor, and I am not a Biblical literalist.)

In order for these religious zealots to achieve their notion of this "cosmic union," the wayward wizards have implemented — as I have been starting to show — a mocking transgender agenda which inverts our innate masculine and feminine physical traits. This agenda is a one-two punch that violently invades the feminine space while destroying the masculine principle. Put simply, we cannot trust that when we see a "woman" on tv, in films, on billboards, on the internet, or in magazines that it is actually a biological female. Based on my research, most or all of Hollywood "women" are actually men with fake breasts, fake butts, and shaved, shiny bodies. This applies to models, many athletes, government/military officials and agents including high-level career clowns in the media, and corporate execs. These biological males were either born into the wayward wizards’ club, or sold into slavery by their sick parents, or kidnapped. (Surely, you have seen the exasperating number of children who go "missing" each year.)

When boys are castrated before puberty (via physical or chemical processes), their bodies and minds simply cannot develop naturally. They do not achieve testosterone levels necessary for the production of sperm, of dense bones and musculature, or of the neurology required to eventually perceive or think like a man.

Watch — if you can stomach it — this trailer for the movie Farinelli, about the 18th century castrato singer phenomenon:

"They stole the gift that made him a man, to give him the voice that made him a god."

That is exactly what they want to do: Make us into "gods" and "goddesses" with their transgendering nonsense!

And to be clear, circumcision is a precursor to castration. Besides being a horrific, painful, unnecessary procedure, removing the foreskin makes the penis extremely sensitive. Hmmmmm. Sounds like emasculation to me.

An overly sensitive penis leads far more easily to sexual arousal at the purely physical/graphical level, forgoing the heart-mind connection necessary for psycho-spiritual attraction to a woman. This is one reason why pornography is so addictive: The eyes and brain see a female-appearing body but there will be no actual physical contact with it. There’s never a real pay-off, only the release of the pay-load. It’s masturbation to a spirit, a conjuration — and most likely a transgendered one at that.

Almost all "female" porn stars are male actors who, like almost every celebrity actor and musician in Hollywood, must get transgendered in order to make the big leagues. Their only other options are to commit recorded sex acts with children and/or to make human sacrifices (those two often occur together), and then they are blackmailed with the recordings: "Do as you are told, or we will tell the world who you really are."

Sorry to burst your bubble: These are essentially demon-inhabiting persons appearing as full-spectrum human beings. And they are artificially elevated to every high-level position in all fields. Check out this brief video compilation of Raquel Welch, a super-celebrity of the 1970s:

https://www.bitchute.com/video/F68BhtnkMq2C/

It is all part of the Luciferian religion, and their "baptism" is being made into an androgyne, or a pedophile-murderer.

But I have taken a tangent (albeit an important one). Let’s get back to the curve that I was already coming to.

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Part 3: Transgendered Humans as Biological Weapons

I was talking about the castration of pre-pubescent boys. There are still embedded male hormones (basic Y chromosomal biology) that allow their arms and hands, legs and feet, torso, shoulders, necks and heads to continue growing big and very strong. This is obvious: Men need to reach with their long arms to grasp their penis for urination (at the very least). Their long, very muscular legs are designed to support their tall, large, dense structures, which are also top heavy, with the shoulders being the widest place on their bodies.

In either case, many of these boys and men were transgendered shortly after birth, then brainwashed into believing that they are female, and given female hormones throughout their lives. Recently — as part of their roles in the Luciferian religion — Hollywood celebrities and even some top athletes have begun parading their transgendered children in the public eye, with opposite-sex clothing, hairstyles, and so on. These images program viewers to believe this is normal and natural — and even cool — when it’s actually pure evil.

Most people will experience cognitive dissonance seeing the depth of this agenda, because it is goes against everything we know to be true. They laugh it off as impossible, or at least improbable, that anyone would believe such ideas. They might say that the only "agenda" is one of socio-political diversity, equity, and inclusion (DEI). I, myself, had trouble accepting that this sick agenda exists; that’s why I spent so many arduous hours researching!

But there IS such an agenda because — I’ll say it again — the Luciferians believe that the original human beings were androgynous. For them, the "fall of man" was the split into males and females. Because it is their religion, the "divine" solution for them is to recreate human beings into androgynes: Male and Female in the same body. And so they will, as religious zealots, go to all lengths to achieve this goal. They have no problem with castrating males at birth, with using hormones and pharmaceuticals, or with performing horrific, painful surgeries for restructuring soft tissue and even bones.

The oft-asked question in the community of folks doing "transvestigation" is this: "What is Victoria’s Secret?"

Answer: That all the models were born male and transformed into female-appearing persons.

Victoria’s Secret Revealed:

https://odysee.com/@MrE:c/MrE047---Victorias-Secret---Illuminati-Tranny-Exposed:3

MrE says in the video:

"This is really a Luciferian ritual, a religious ceremony . . . . This is the Whore of Babylon. Mystery religion. These people are wearing angels’ wings: What are the trying to tell us? [That] they’re Nephilim hybrids, demonically possessed by the disembodied spirits of their ancestors, the Nephilim, hybrids of humans and fallen angels."

These gross manipulations of human bodies — and the concomitant deception — have literally inverted and perverted the tonic, the "love tone" of our natural, organic beingness. The wayward wizards are completely phasing out females because they want to 1) make males complete slaves to their death-cult systems and 2) manufacture human beings in their laboratories. This aspect of the machine-mind is deeply sickening to the soul and spirit.

Witness Hollywood and its offshoot "entertainment" realms of mediatized major league organized sports (including the Olympics); advertising with its magazine and runway models; and even the government at every level with all its [s]elected and appointed officials, including but not limited to the military, in organizations such as NASA, CDC, and NIH, and industries like ConAgra, Amazon, and Bayer.

The players have all been born into or consciously chose to participate in the cult that worships and openly promotes transgenderism. This has been going on for millennia, as I said earlier, but the exotic technology of unnatural frequencies has allowed these psychotic entities to project their transgender "projects" into reality via radio and the black-screen-boxes. This is what it looks like:

https://odysee.com/@MrE:c/2017.11.01---MrE---Leann-Rimes-Secret-to-Flat-Abs:5

Hollywood and Nashville are systems within the Luciferian religion.

This agenda is being outed as a demand for normal, sane, everyday people to accept without question: Men are women; women are men; some people can be both; others can be neither. (There is also “non-human identification,” like a person believing they are a cat). And we’re pressed to fall in line with this rhetoric to avoid social castigation.

Researching this is hard work. I have done over 500 hundred hours of study on this topic. It is never easy to 1) realize that we’ve been duped, 2) accept that fully, and 3) re-wire our brains to see the truth. But, *real-eyes* it, we must.

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TRANSHUMANISM

Part 4: Weaponized Tones Create Anti-Life "Technology" and Circuitously Feed the Machine-Mind

The slow crawl to denigrating men and women into fully adopting the machine-mind has also come through exotic-technology worshiping and the ridiculous notion that humans can be improved by merging with technology. We’ve allowed ourselves to get excited about gaining "super-powers" through the use of technology injected into and permanently embedded in our bodies. We were fed this crap in comic books; on cartoons; in sci-fi "fiction" books, tv shows, and movies; in paper magazines and now internet articles; in New (c)Age propaganda; and of course, on television "news" programs. We’ve followed the "latest developments" and "breakthroughs in science" as if such technology would never, ever, ever be used for nefarious purposes — despite the fact that ALL technology has always been coopted in order to accelerate our decrepitude and painful demise.

It is my comprehension that every man who gets sucked into thinking that some high-tech "amazing" gizmo is in any way better or more advanced than what is Divinely created has been mesmerized by the glamours of the machine-mind. This technology is nothing but anti-life frequencies sold to keep consumers weak, afraid, and extremely manipulable. That there is some small benefit to us to using the gizmo is also part of the wayward wizards’ data collection: They know what makes our brains "light up" and how that can lead to addiction and other diseases of the mind, body, and spirit.

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CONCLUSION

Men, the blame-game is over. We have all been mind-fucked! This ultra-modern programmed frequency fuckery took nearly 200 years to perfect — and that’s after millennia of really clunky attempts. Due to exotic technology introduced sometime (I’m surmising) during the mid- to late 1800s, the programming is extremely sophisticated, slippery, and sly in its projected offer as a cure for some problem or disease that was actually caused by its evil proponents.

Now, those of us who sense the horror of this dire situation — and who refuse to participate in it — must somehow remain strong against not only the wayward wizards and their psychopathic puppets such as Bill Gates, Elon Musk, Klaus Schwab; presidents, governors, and mayors’ and the tyrannical turds showing up on the black-screen boxes. We also need to resist the lunacy of everyday programmed people who demand that we fall in line with the agenda, lest someone’s feelings get hurt or their baseless beliefs get challenged — or a tyrant’s personal impotence and touted pathocracy is called out.

Despite the seeming impossibility of the transgendering agenda as basis for the transhuman/cosmic androgyne solution, the signs are literally everywhere, if only we would open our senses to what is being promoted in all mediatized material. The wayward wizards, through their cushy-job-keeping career clowns, present males as females and females as males, plus all kinds of stories praising this agenda. None of it is "entertainment"; it is all a slow-walk timetable to tyrannical control of our Divinity. These controllers are extreme religious zealots who possibly even use breeding programs to create these androgynes. Either way, the transgendering process yields a unique kind of human-demon hybrid.

I’m not "tranny bashing." In fact, I feel immense sadness not only for the children born into this sick cult, but for the people who have been brainwashed into believing that they are born in the wrong body, and for average folks who think that it’s simply about DEI and that "only bad people denounce transgenderism.” The whole thing has been machinated to fuck with everyone. And speaking of fucking, guys, you spent your entire life before today jacking off to some super-model or pop princess who is a dude. Gals, we have spent the better part of our lives desiring to be like these dudes-who-look-like ladies:

https://odysee.com/@MrE:c/Raquel-Welch-The-Trans-Illusion:6

Now that the spell has been broken, in order to heal we must each return to our roots, to the tonic, to the tone: The Natural Law Tone, as the basis for our Divinity. Natural Law is both the foundation and the flow for our life-promoting way forward.

If we refuse to return to life-affirming thoughts and actions, we sell ourselves out to the death-cult. That’s the same as intentionally making "wrong" decisions.

It is time to wake up to the agenda of "people" who will raise their children as the opposite sex and who will literally carve up children and adults — while deceiving everyone not in the cult — in order to achieve their religious goals, which are not based in Truth.

What actions we take based on this knowledge will either help or hinder our own genuine spiritual path. My recommendation: Tune in to the tonic of "right."

After all arguments have been levied, Natural Law simply cannot be refuted.

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As always, I wish you all excellent health and well-being.💖